![]() Piano, then concluding with an astonishingly beautiful nocturne on grand piano, Minimalistic succession of random and almost unnoticeable touches of synth and electric In exchange, after the symphonic tour-de-forceĬonveyed by the clever interplay of keyboards and guitar, we are first offered a Is 'Invisible Limits', which is actually structured in a similar way than the opening cut, Meditative walk by a march before the first light of dawn. Passages on harmonica manage to convey sonically the situation of having a nice Mellotron brass, synth and electric piano, flowing synth layers, and occasional at the Border of the Marsh from Okefenokee', whose Arabic-like lines on Writing and performing - this particular number feels stylistically connected to the stuffĬreated by Schicke Führs & Fröehling and Pulsar. Once again, pure beauty becomes the rule at Synth/mellotron string extravaganza, pretty much related to the overall spirit of 'Atem'Īnd 'Phaedra', though not as harsh. Harpsichord and mellotron flute what happens in between is a somber Gothic Section is a graceful Baroque-like sonata built upon the dialogue between real 'The Big Sleep in Search of Hades' is alsoĬonstructed under the main theme/interlude/reprise premise. Mood ends the cycle in order to give the listener room for meditation about the show ofĮthereal beauty they are presented to. The closing comeback of the opening theme in a more melancholy ![]() On synth and lead guitar, somehow reminding them of WYWH-Pink Floyd and Moon On Moogs and mellotron, the listener is hooked into the sequence of gentle variations Guitar arpeggios over a soft, dreamy keyboard layer once the main motif is introduced The album with grandeur and sheer elegance, introducing a couple of 12 string electric Lines and compelling keyboard orchestration is quite clear, while still sticking to theĮlectronic ambience formula that TD learnt to make their own. The emphasis on the organization of clear melodic ![]() ![]() Years of TD's Virgin career, 'Stratosfear' is the most symphonic-oriented album by TD Following the path of increasing symphonic-progressiveness that marked the first six ![]()
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